Traditional Clothing in India

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Informative Speech

Traditional Clothing in India

Introduction Of the many cultures that surround us in the world today, the one aspect of the Indian culture that interests me is the traditional clothing. Speaking on myself briefly I am a fashion mogul so to say and anything that has to deal with clothing has me very intrigued, I like keeping up with fashion trends but today I will talk about the traditional clothing in India.

Most impressive and charming about the traditional clothing for women is the colorful display of the saris, an ageless charm since it is not cut or tailored for a particular size, it is six meters long and two meters wide and demands skill for one to dress oneself. Available in different materials like cotton, synthetic, silk according to the occasion. If worn properly it can accentuate and conceal. This graceful attire can be worn in different ways and its manner of wearing, including color and texture, is indicative of the status, age, occupation, region and religion of a woman.

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The cholis is the tightly fitted, short blouse that ends just below the bust worn under a sari. It is either being long sleeved, short sleeved or sleeveless. It is evolved as a form of clothing in 10th century AD and at fist they were only front covering; the back was always bare. Today, numerous styles of cholis inspired by the booming Indian fashion industry.

Apart from the choli, women also wear a lehanga, a form of a pleated skirt that is secured at the waist and leaves the back and midriff bare.

A more comfortable and respectable garment is the Salwar Kameej. Salwars are pajama-like trousers drawn tightly at eh waist and the ankles. Over this women wear a long and loose dress known as kameez. Some women wear a churidar instead of a salwar, this is similar to the salwar but tighter fitting at the hips, thighs and ankles. Over this, one might wear a collarless or mandarin collar dress called a kurta.

Though the majority of Indian women wear traditional costumes, the men in India can be found wearing more conventional western clothing. The men wear sherwani, a coat like garment fitted close to the body, of knee length or longer and opening in front with button-fastenings. Below men wear a garment for the lower part of the body, baggy and wide at the top tied with a string at the waist, and tight around the legs and ankles. This is a very elegant dress for men and usually for worn during ceremonies.

The traditional lungi originated in the south and today men and women wear it alike. It is simply a short length of material worn around the thighs rather like a sarong. A dhoti is a longer but with an additional length of material pulled up between the legs.

A knee length collarless shirt that is adorned in mostly white or pastel colors is the Kurta, like the saris Kurtas today are made out of the most wonderful and colorful of fabrics. Pajama are loose like trousers with a string tie at the waist which is traditionally white in color.

Conclusion In the Indian culture, the women have the most elaborate dress such valuable handmade pieces are very expensive in relation to an average income in India. However, men spend much money to dress their wives and sisters accordingly to their social position. Indian dressing styles are marked by many variations, both religious and regional and one is likely to witness a plethora of colors, textures and styles in garments worn by the Indians.

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Early Renaissance Art in Europe

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Reflection Early Renaissance Art in Europe

During the 15th century in Europe, a prosperous middle class arose in the Netherlands, France, and Italy. They supported scholarship, literature, and the arts. Their generous patronage led to the revival of classical art, architecture, learning, and creativity called the Renaissance. Merchants began to have a rising social status. Humanism is a term that refers to the revival of classical learning and literature. Humanism promoted a "worldview that is focused on human beings, an education that perfects individuals through the study of past models of civic and personal virtue, a value system that emphasizes personal effort and responsibility, and a physically or intellectually active life that is directed at a common good as well as individual nobility" (Stokstad 61). The greatest humanist was Petrarch, who saw history in three periods the ancient classical world, the "dark ages," and a rebirth. Petrarch also introduced writing in the vernacular, as opposed to Latin; Giotto introduced a vernacular style in painting. The people of the Renaissance had an appreciation of Greek and Roman culture, and classical antiquity was considered the standard model. Popular subjects in art were history, religion, and mythology. Portraiture became more common, and anatomical accuracy became important. Linear perspective, which created the illusion of three dimensional space on a two dimensional surface, developed. The Renaissance began in 14th century Italy, and spread to the rest of Europe in the 15th, 16th, and 17th centuries.

The most famous architect of the early Renaissance was Filippo Brunelleschi. He became the designer of the dome of Florence Cathedral, which was revolutionary engineering. Brunelleschi then designed a sacristry as a chapel and mausoleum, for the Medici family, and was then commissioned to build the church itself, replacing the old basilica. This church, San Lorenzo, was rebuilt with the plan of an early Christian basilica. A long nave and two side aisles are intersected by a transept. San Lorenzo has mathematical regularity and symmetry. Palazzo Medici-Riccardis plain exterior related to political and religious thinking in Florence, which was strongly influence by Christian ideals of poverty and charity. The building was constructed around a central courtyard surrounded by a covered gallery, or loggia. The spread of Renaissance architecture was partly because of Leon Battista Alberti, who traveled widely. Alberti was commissioned to enlarge the Church of SantAndrea, who began work on it but died that summer. One of Albertis ideas for the church was the Latin-cross plan, where a nave more than 55 feet wide is intersected by a transept of equal width and has a square, domed crossing. A votive church was a church built as a special offering to a saint. The large congregations and processions made the long nave a basilica almost a necessity for local churches, but votive churches often had a central plan. The medium of the churches and palazzo were stone, marble, and pietra serena.

A popular subject in sculpture was Old Testament figure like Moses, David, Jeremiah, and Isaiah, and so was large figures of patron saints of a church. In the 15th century, the two most important sculptural commissions in Florence were the new bronze doors for the Florence Cathedral Baptistry, and the exterior decoration of the Church of Orsanmichele. Lorenzo Ghiberti won the competition to do the bronze relief panels for the doors. The most famous sculptor of early Italian Renaissance was Donatello. He used a pictorial approach to relief sculpture, and created the impression of deep space by using new linear perspective and varying heights of relief. Donatello constantly explored human emotions and expressions and medium, such as bronze, marble, and polychromed wood. In bronze sculpture, Donatello made the first life-size male nude since antiquity (David) and the first life-size bronze equestrian portrait since classical Rome (Gattamelata). Near the end of his career, Donatellos style became more emotionarlly expressive, as seen in his Mary Magdalen. Equestrian statues became more popular, and so did portrait tombs. To supply the increasing demand for architectural sculpture, artists turned to nontraditional materials such as terra cotta, although bronze and marble were the most popular mediums. In later 15th century, small bronzes were popular, such as Hercules and Antaeus. Cheap custom writing service can write essays on Early Renaissance Art in Europe

Giotto created a new style in painting. He introduced heightened human actions and emotions by painting enormous figures, modeled by a natural and consistent light and acting in a shallow but clearly defined space. He was a great storyteller, and his painted biblical events were understandable. Outside of Italy, there was an interest in the natural world. Along with the new desire for accurate depiction came an interest in personalities because of the humanist interest on people. Northern artists were interested in details, while Italian artists were more concerned with classical elements. Oil paint became the new medium of painting, although tempera and oil were still combined in some paintings. Atmospheric perspective was introduced, as artists painted more distant objects with a grayish or bluish cast to make it seem farther away. Italian patrons usually commissioned murals and large altarpieces for local churches, and smaller panel paintings for private chapels. Frescoes were in great demand, and Italian painters showed little interest in oil painting. The new Renaissance style and painting had solid, volumetric forms, perspectivally defined space, and references to classical antiquity. Popular subjects were any biblical scenes, mythology, and portraits. Oil painting largely replaced other mediums.

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Live your own life

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My dear Moon

I am killing the weeds

Which grew with me

To reflect your image

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From the surface to the depth of my heart;

Though I am just one among the thousands of ponds

It rained in the morning

And I was drenched with visuals

Of flower petals leaning to the raindrops (courtesy to this line my friends lyrics)

Like the ever-loving shores to the tides

the train is crowded and i am sweating under the fan. In the rush where one can hardly breath, I could see a familiar face near the window.

i could feel the breeze and hear the brook with shimmering water giggling with the joy of being touched by her feet. Enviously, i tried stealing her warmth from the water.

i had the hair-band in my pocket, kept safe in an envelope, hoping the breeze wont steal her fragrance from it. releasing my hands from the pocket, kept my palm close to my face and took a deep breath. Opened my eyes to see the young man with familiar face, who didnt have his ear-lobe did his first stroke on his canvas. He painted madly the whole canvas with yellow ochre.

On the rocks, I showed him her low-heeled footwear. Without dipping the brush in a paint mix, he just painted long fingers of her feet, in a different color.

I told him that she is a slow eater, surprisingly another color made a pair of small 10-year old lips; this time too, without touching paint mix.

Vincent, she smiles beautifully, he held his left palm close to his cut-off earlobe to hear me properly.

Aye, how did you know that she has that carnivorous teeth? I asked, Vincent smiled, he asked Didnt you say that she smiles beautifully? I wondered, how he could make out what I meant.

Vincent, I beg you, can you please give me that canvas? I can give you the whole of my savings, Vincent please..

He smiled. I understood what he meant.

Please note that this sample paper on live your own life is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on live your own life, we are here to assist you. Your cheap custom college paper on live your own life will be written from scratch, so you do not have to worry about its originality.

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