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Having the universal appeal of a rags-to-riches success story, Cinderella is a well-loved fairytale that has seen successful diffusion through time and space. The story upholds the same plotline, yet over 40 versions exist, with slight variations in themes, use of contrast and symbolism. Possibly the most popular version is Charles Perraults "Cinderilla or Little Glass Slipper," which can be compared to the Grimm Brothers version, "Ash Girl" and the Vietnamese "Story of Tam and Cam."
Perrault uses the literary framework of "Cinderilla" in which to imprint the rules of the traditional French baroque of his time that virtue is rewarded. He praises aristocratic good manners, which Cinderilla exemplifies in returning home before midnight as "she promised her godmother she would not fail of leaving the ball before midnight." The ideal virtues of women are clearly displayed in her beauty, "unparalleled goodness and sweetness of temper," and kindness in sharing fruits with her stepsisters at the ball.
Cinderilla passively awaits redemption from her unfair lifestyle, which arrives when the Prince weds her. This is made possible with the intervention of Cinderillas godmother, who is her guardian and protector. Perraults embellishments of the godmothers magic wand which transforms ordinary objects including a pumpkin into a grand carriage to facilitate Cinderilla to the ball and grant her the glass slippers which lead the Prince to her. It is implied that virtue is rewarded with happiness and a fulfilment of desires, as virtue leads to beauty, and beauty to marriage, which was the main aim in that social context.
Closely linked is the theme of forgiveness in Perraults "Cinderilla," accepted as a feminine archetype. It is demonstrated in Cinderillas pardon of her stepsisters, without consideration of the severeness of their cruelty "she forgave them with all her heart and desired them always to lover her." Cinderilla does not use her new status and power to seek revenge on her stepsisters, instead marrying them to noblemen of the royal court. Forgiveness is thus a virtue that creates peace and fulfilment; it embodies the tradition of a woman to be gracious, which makes them beautiful.Cheap College Papers on Cinderella Around The World
In contrast, forgiveness is entirely absent in the Grimm Brothers "Ash Girl," instead the stepsisters have their eyes pecked out "the pigeons pecked out one eye of each of them." Thus, "for their wickedness and falsehood" they were punished with blindness, which is an answer to their own self-mutilation. In their desperation to marry they cut toes and heels to fit the slipper, yet the slipper becomes bloody. It is a horrid receptacle that symbolises how women sacrifice their bodies, intellects and aspirations in hope of beauty that leads to marriage. The Grimm Brothers focus on real life punishment rather than forgiveness to express the gross injustices of life and how society clearly disapproves of this behaviour, such that it is punished severely.
Personal integrity and ethics is a prominent thematic concern in "Ash Girl". Cinderellas tale describes the journey of a soul; a personal transformation, for she is mistreated, "she had to do hard work from morning till night." She does not transform magically into the beauty that wins the Princes heart as in Perraults version, but maintains personal integrity and pursues good in the face of grave opposition and adversity, such as when the Cinderella eludes the Prince by hiding in a pear tree. Her father, thinking it might be his daughter takes an axe to the tree, "The father thought, 'Can it be Cinderella? and had an axe brought and cut the tree down." Yet she overcomes her fathers contempt, reflecting the deprivations of life as well as the values and faith that perseverance can overcome them.
"The Story of Tam and Cam," from Vietnam also has a less forgiving denouement than Perraults story, with the stepsister being killed brutally in a basin of boiling water. Her stepmother then "wept until she became blind," before dying of a broken heart. Tam, now Queen, survives to "live happily ever after, for she certainly deserved it." The violent, fatal manner in which the villains, symbolised by the stepsister and stepmother, are punished shows that justice is always served. Hence, those who are virtuous will be rewarded, as said in Perraults "Cinderella."
There is distinct contrast between Perraults Cinderilla and her stepsisters to outline Cinderillas good characteristics. Her being a "pretty girl" with "good qualities," sets a rationale for the stepmothers dislike of her because it "made her own daughters so much the more hated and despised." Perrault emphasises the stepsisters obsession with their appearance, "they had looking-glasses so large that they might see themselves at their full length," and the stepmother is portrayed as a domineering wife; "the proudest and most haughty woman that ever was known." Meanwhile Cinderella, the "poor girl," was employed in the "meanest work of the house," as they enjoyed luxurious accommodation that should be hers. These demeaning tasks represent her mistreatment, allowing her characteristics of virtuousness to emerge, as she is denied of her rightful higher status.
Unlike Perraults fairytale, the stepsisters were "beautiful and fair of face" whereas Cinderella was an ordinary girl. The contrast is made in the stepsisters being "vile and black of heart," and Cinderella being a paradigm of "pious and good." Her characteristics reveal that, though not lofty or beautiful, she is supple, enduring hardship to bear the fruit of her labour. For example in planting the branch on her mothers grave, she fertilises it with her tears and cultivates it with her prayers. The magic that blesses her comes from the tree which grows from the grave, outlining the true value achieved through personal transformation.
Similarly, Tam is portrayed as persistent, obedient and dutiful in the Vietnamese version, even returning home for her fathers anniversary while she was Queen, as "at the time it was [the] custom." Her stepsister and stepmother are "wicked," constantly causing her suffering and killing her many times. Yet she is reincarnated into a "nightingale which…sang sweet and melodious songs" and then a golden fruit with a "very sweet smell." Her rebirth into the world and reuniting with the King is symbolic of how virtue is rewarded to those who deserve it.
Each of the 40 or so variants of Cinderella is slightly different in conveying its themes, contrasts and symbols such as in Perraults widely accepted "Cinderella," the Grimm Brothers "Ash Girl" and the Vietnamese "Story of Tam and Cam." Yet, the basic elements of a Cinderella story remain as the tale of a mistreated heroine, whose virtues are rewarded through a (magic) agent of change to achieve eternal happiness, usually in marriage to a Prince. The classic fairytale continues to be enjoyed by both young and old in its universal appeal of a rags-to-riches success story.
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