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Friday, June 11, 2021

Early Renaissance Art in Europe

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Reflection Early Renaissance Art in Europe


During the 15th century in Europe, a prosperous middle class arose in the Netherlands, France, and Italy. They supported scholarship, literature, and the arts. Their generous patronage led to the revival of classical art, architecture, learning, and creativity called the Renaissance. Merchants began to have a rising social status. Humanism is a term that refers to the revival of classical learning and literature. Humanism promoted a "worldview that is focused on human beings, an education that perfects individuals through the study of past models of civic and personal virtue, a value system that emphasizes personal effort and responsibility, and a physically or intellectually active life that is directed at a common good as well as individual nobility" (Stokstad 61). The greatest humanist was Petrarch, who saw history in three periods the ancient classical world, the "dark ages," and a rebirth. Petrarch also introduced writing in the vernacular, as opposed to Latin; Giotto introduced a vernacular style in painting. The people of the Renaissance had an appreciation of Greek and Roman culture, and classical antiquity was considered the standard model. Popular subjects in art were history, religion, and mythology. Portraiture became more common, and anatomical accuracy became important. Linear perspective, which created the illusion of three dimensional space on a two dimensional surface, developed. The Renaissance began in 14th century Italy, and spread to the rest of Europe in the 15th, 16th, and 17th centuries.


The most famous architect of the early Renaissance was Filippo Brunelleschi. He became the designer of the dome of Florence Cathedral, which was revolutionary engineering. Brunelleschi then designed a sacristry as a chapel and mausoleum, for the Medici family, and was then commissioned to build the church itself, replacing the old basilica. This church, San Lorenzo, was rebuilt with the plan of an early Christian basilica. A long nave and two side aisles are intersected by a transept. San Lorenzo has mathematical regularity and symmetry. Palazzo Medici-Riccardis plain exterior related to political and religious thinking in Florence, which was strongly influence by Christian ideals of poverty and charity. The building was constructed around a central courtyard surrounded by a covered gallery, or loggia. The spread of Renaissance architecture was partly because of Leon Battista Alberti, who traveled widely. Alberti was commissioned to enlarge the Church of SantAndrea, who began work on it but died that summer. One of Albertis ideas for the church was the Latin-cross plan, where a nave more than 55 feet wide is intersected by a transept of equal width and has a square, domed crossing. A votive church was a church built as a special offering to a saint. The large congregations and processions made the long nave a basilica almost a necessity for local churches, but votive churches often had a central plan. The medium of the churches and palazzo were stone, marble, and pietra serena.


A popular subject in sculpture was Old Testament figure like Moses, David, Jeremiah, and Isaiah, and so was large figures of patron saints of a church. In the 15th century, the two most important sculptural commissions in Florence were the new bronze doors for the Florence Cathedral Baptistry, and the exterior decoration of the Church of Orsanmichele. Lorenzo Ghiberti won the competition to do the bronze relief panels for the doors. The most famous sculptor of early Italian Renaissance was Donatello. He used a pictorial approach to relief sculpture, and created the impression of deep space by using new linear perspective and varying heights of relief. Donatello constantly explored human emotions and expressions and medium, such as bronze, marble, and polychromed wood. In bronze sculpture, Donatello made the first life-size male nude since antiquity (David) and the first life-size bronze equestrian portrait since classical Rome (Gattamelata). Near the end of his career, Donatellos style became more emotionarlly expressive, as seen in his Mary Magdalen. Equestrian statues became more popular, and so did portrait tombs. To supply the increasing demand for architectural sculpture, artists turned to nontraditional materials such as terra cotta, although bronze and marble were the most popular mediums. In later 15th century, small bronzes were popular, such as Hercules and Antaeus. Cheap custom writing service can write essays on Early Renaissance Art in Europe


Giotto created a new style in painting. He introduced heightened human actions and emotions by painting enormous figures, modeled by a natural and consistent light and acting in a shallow but clearly defined space. He was a great storyteller, and his painted biblical events were understandable. Outside of Italy, there was an interest in the natural world. Along with the new desire for accurate depiction came an interest in personalities because of the humanist interest on people. Northern artists were interested in details, while Italian artists were more concerned with classical elements. Oil paint became the new medium of painting, although tempera and oil were still combined in some paintings. Atmospheric perspective was introduced, as artists painted more distant objects with a grayish or bluish cast to make it seem farther away. Italian patrons usually commissioned murals and large altarpieces for local churches, and smaller panel paintings for private chapels. Frescoes were in great demand, and Italian painters showed little interest in oil painting. The new Renaissance style and painting had solid, volumetric forms, perspectivally defined space, and references to classical antiquity. Popular subjects were any biblical scenes, mythology, and portraits. Oil painting largely replaced other mediums.


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Thursday, June 10, 2021

Live your own life

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My dear Moon


I am killing the weeds


Which grew with me


To reflect your image


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From the surface to the depth of my heart;


Though I am just one among the thousands of ponds


It rained in the morning


And I was drenched with visuals


Of flower petals leaning to the raindrops (courtesy to this line my friends lyrics)


Like the ever-loving shores to the tides


the train is crowded and i am sweating under the fan. In the rush where one can hardly breath, I could see a familiar face near the window.


i could feel the breeze and hear the brook with shimmering water giggling with the joy of being touched by her feet. Enviously, i tried stealing her warmth from the water.


i had the hair-band in my pocket, kept safe in an envelope, hoping the breeze wont steal her fragrance from it. releasing my hands from the pocket, kept my palm close to my face and took a deep breath. Opened my eyes to see the young man with familiar face, who didnt have his ear-lobe did his first stroke on his canvas. He painted madly the whole canvas with yellow ochre.


On the rocks, I showed him her low-heeled footwear. Without dipping the brush in a paint mix, he just painted long fingers of her feet, in a different color.


I told him that she is a slow eater, surprisingly another color made a pair of small 10-year old lips; this time too, without touching paint mix.


Vincent, she smiles beautifully, he held his left palm close to his cut-off earlobe to hear me properly.


Aye, how did you know that she has that carnivorous teeth? I asked, Vincent smiled, he asked Didnt you say that she smiles beautifully? I wondered, how he could make out what I meant.


Vincent, I beg you, can you please give me that canvas? I can give you the whole of my savings, Vincent please..


He smiled. I understood what he meant.


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Wednesday, June 9, 2021

Witchcraft in Medieval england

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Witchcraft in Medieval England


You shall not permit a sorceress to live (Ex. 18).


Introduction


The ancient belief in witchcraft and magic has existed for a very long time, having been mentioned in the tales of Homer in ancient Greece and even in the Bible. Witches are supposed to be females that have supernatural powers for evil purposes. A male with such powers is called a warlock, sorcerer or wizard.


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The Craze


The first man to take action against heretics was John XXII, who was Pope from 116 to 14. A century later, in 1484, Pope Innocent VIII issued the "Summis Desiderantes," which condemned the practice of witchcraft, declaring it opposed to catholic faith. In Europe, the practice of witchcraft officially became a felony in 154 and was made a capital offence in 156. The situation immediately after 156 was unclear due to lost records but it is estimated that from about 1560s until around the 160s, this ancient belief in witchcraft got completely out of hand. Witch hunting crazes swept through Europe and even spread as far as the new world settlements in Salem, Massachusetts. Belongings confiscated from the victims were usually given to the witch hunters, which further encouraged them. Victims of the witch trials have been estimated to number from hundreds of thousands to the millions.


Witchcraft in England


The witchcraft craze in England was not as hysterical as other parts of Europe, such as Germany, and parts of America, such as Salem. It is thought to be because the goods confiscated off the accused in England went to the Crown and not the locals, unlike in the other countries. However, England was not completely unaffected. Witch trials and executions rose steadily, especially in the southeast and in the town of Essex. They peaked at around the 1600s and declined within a few decades.


England also had some professional witch hunters, of which the most famous was Matthew Hopkins from Essex. He claimed that he could detect witches, all for fee, of course. Matthew Hopkins was the "Witch-Finder General" and was involved in the accusation of two hundred and fifty witches and one hundred executions.


What Distinguishes a Witch?


A high percentage of the people accused for practicing witchcraft were female midwives because it was believed that they had access to the evil spirit in unbaptised stillborn babies. It was also believed that virgins could not be witches. All witches were believed to have distinguishing marks on their body. When these "witch-marks" were pricked pin, it did not hurt the person. Records show that the "witch-marks" were likely to be located on exposed parts of the body such as the back of the neck. Witches were also believed to have a "familiar," which is an animal, usually a cat or a toad, which can turn into the devil and carry messages for the witch. Also, witches were believed to have regular social meetings (eg, Sabbaths) and be most active on the 0th of April and the 1st of October.


The Trials


There were many different ways of trailing an accused witch, most of which ended with the witch dying whether they were proven guilty or innocent. One method called "swimming the witch." This consisted of tying the victims hands and feet together and throwing them into deep water. If they floated, it was a sign of evil possession and if they sank, it proved them to be innocent. A variation of this trial consisted of tying the accused witch to a makeshift chair and continuously dunking them into a lake. If they survived, this proved that they could save themselves using magic. If they drowned, their innocence was proved.


Another method of trailing a witch consisted of throwing the accused witch off a cliff. If they used magic to save themselves, they were considered to be guilty and if they fell to their death, then they were innocent. The method that produced the most amounts of 'guilty witches was using torture, as the accused often confessed to being a witch just to stop the torment.


If a witch were to be proven guilty, they would be tied to a stake surrounded by hay, dry leaves and twigs and burned to death.


The Closing Stages


A few decades later at around the 160s, the witchcraft craze slowly died down. The last execution took place in the district of Exeter, Devon in 1685. The last trial took place in 171. In England in 17, the death sentence against witches was repealed. Soon after, other European countries followed suit. Overall, the executions that took place in England were mild compared to many other parts of Europe. It is unlikely that there were more than 500 deaths.


During the second half of the 17th century, sceptism of the existence of witchcraft grew among educated people, largely due to more new scientific ideas. However, the belief in witchcraft never really faded until the 0th century where factors like better communication and mass schooling eroded most belief in witchcraft. However, there is still a small percentage of the population in the world today that still believes in a little magic.


Conclusion


Today when we look back on the witch trials of the past, some say that the persecutions were earnest attempts by Christians to stamp out superstitions; some say that they were merely an excuse to take property from others while some say that it was really just a huge overreaction to a threat to their way of life. No matter the reason for the witch trials and executions, we need to learn from this mistake in our past and make sure nothing like that ever happens again.


Bibliography


1.Text - "Time, Continuity and Change" written by Meg Grey Blanden. Published by Longmand in 17.


.Text "The Oxford Companion to British History" Edited by John Cannon.


Published by the Oxford University Press in 17.


. Encyclopaedia Britannica CD ROM, 18.


Please note that this sample paper on Witchcraft in Medieval england is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Witchcraft in Medieval england, we are here to assist you. Your cheap custom college paper on Witchcraft in Medieval england will be written from scratch, so you do not have to worry about its originality.


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